It's 1930 something. After brassy reporter Molly Sloane and her sidekick Timmy Mendez escape death at the hands of shadowy assassins in Eastern Europe, they investigate an exhibition at the castle of the world-class mesmerist, Mysterion the Magnificent. When Mysterion enslaves the minds of his audience, a librarian from Flagstaff saves Molly and Timmy. Slowly, our heroes uncover a plot between Mysterion and the goopy inhabitants of the planet Zygon to conquer the human race.
You already love The Intergalactic Nemesis. So did we.
Last Friday and Saturday, the Long Center hosted Jason Neulander’s pitch-perfect homage to sci-fi pulp and Weird Tales-inspired radio dramas. In 1996, Neulander and Ray Colgan assembled a small team of writers to slap together short radio serial drama scripts to be performed and recorded at Little City coffeehouse over a number of weeks. The show officially became a bona fide serialized radio drama when KUT started airing recordings of the show on Sunday mornings. Then in 2000, the Nemesis crew crammed the full plot into one evening and started running the show at the Salvage Vanguard Theater. In 2004, the show did a national tour, and in 2010 Neulander’s friend, Cliff Redd, encouraged him to blow up the show to Dell Hall-size. We’re glad they did, it was totally nuts and a ton of fun.
Nemesis calls itself a live-action graphic novel, which isn’t exactly right. There exists a graphic novel of the show, illustrated by artist Tim Doyle, but the live show is a radio drama with projected pictures instead of narration. This caused some dizziness on stage, because the excellent voice actors started competing (and winning) with the wonderful and hilarious artwork from the graphic novel. Previous incarnations of Nemesis had a narrator, but that wasn't going to fill this space.
Actors Shana Merlin and Mical Trejo deftly handled the challenge of occasionally talking to themselves as different characters. And although the scipt's primary weapon is camp (and plenty of it), Chris Gibson somehow still managed to nail the emotional arc of a widower librarian from the future. The show’s foley artist, Buzz Moran, and score composer Graham Reynolds lent the show some real radio drama authenticity and had their share of punchlines.
If you missed the too-short engagement at Dell Hall, don’t worry! Before the show began, Neulander announced that The Intergalactic Nemesis has become an official selection for Fantastic Fest, so there should be a chance to catch another performance (although the details will apparently be in the next wave of Fantastic Fest announcements). Do not miss it; considering that there really isn’t a roadmap for this kind of performance, the crew for Nemesis is pulling it all off insanely well.
Read more of this story at Slashdot.
Read more of this story at Slashdot.
nathanborror/Flickr In every life we have some trouble
When you worry you make it double
Don't worry, be happy...
-Bobby McFerrin
Austin ranks fifth in a study by Portfolio.com on low-stress cities in the nation. Stress factors used in their study included quality of life, unemployment rates, pollution, weather, and crime rates. Austin's stress rating is -5.183 on their scale.
Of the 50 cities examined, Detroit came in as most stressed due to its 14+ percent unemployment rate, high crime (murders and robberies) and poverty rates, and low sunshine levels. Also making the high-stressed list were L.A. (#2) and New York (#6).
Salt Lake City took the low stress top spot for their low crime levels, easy commutes, high employment and good health. Coming ahead of Austin were Virginia Beach-Norfolk, Va; Minneapolis-St. Paul, Minn.; and Raleigh, N.C.
Portfolio.com's stress methodology can be found here.
Riding a wave of critical adulation, current Austin resident and St. Edward’s creative writing teacher Doug Dorst comes to BookPeople tonight to read from The Surf Guru, his new collection of short stories. Dorst’s follow up to his highly praised debut novel, Alive in Necropolis, The Surf Guru is earning similar acclaim, including an Editors’ Choice selection in the New York Times Book Review and a starred review in Kirkus. In the collection, Dorst writes about a wide range of situations and characters, from the aging surfing entrepreneur of the title story to a disgruntled botanist in “Splitters”.
Winner of the 2009 Emperor Norton Award, honoring “extraordinary invention and creativity unhindered by the constraints of paltry reason,” and runner-up for the 2009 PEN/Hemingway award, Dorst is not only an acclaimed writer but a three-time Jeopardy champion as well. So, there’s always the possibility that in addition to a reading unhindered by paltry reason, he might wow you with his mad trivia skills. Come see this critically acclaimed, local writer tonight at BookPeople at 7 p.m.
-Ryan Rutherford
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Screaming Females, who along with Paternoster are Jarrett Dougherty on drums and King Mike on bass, got their start in 2006 with the self-released Baby Teeth album. The scorching punk aesthetic placed them firmly in New Brunswick's D.I.Y. basement punk scene, alongside such bands as The Bouncing Souls, Thursday and The Ergs!. It also earned them some famous fans, including Jack White and the like-minds in Dinosaur Jr. In 2009, they made the move to a label (Don Giovanni Records) for their third album, Power Move, which garnered critical acclaim from the New York Times, amongst other places.
The summer of 2010 sees the band touring in support of their upcoming fourth album, Castle Talk. You can catch their fervid, honed blasts of punk tonight at the Mohawk.
Two local groups with very different sounds will also grace the stage. The first is The Crack Pipes, who traffic in scuzzy, slapdashed garage rock with a side of hellish blues. They've released three full-lengths and an EP, the last of which came out in 2007. Sadly, the band's guitarist, Billy Steve Korpi, has been fighting leukemia for the past few years. They have been playing many benefit shows in order to raise money for the treatment.
Austin favorites YellowFever open tonight's bill. The C-86-inspired duo, comprised of Jennifer Moore and Adam Jones, follow up last year's breakthrough debut full-length with a new EP entitled Bermuda Triangle. Our own Adam Schragin recently spoke with the band about the EP, their plans for their second full-length, and the influence of the Vivian Girls. You can check that out here.
Screaming Females: [MySpace] [Official]
The Crack Pipes: [MySpace] [Official]
YellowFever: [MySpace]
Read more of this story at Slashdot.
Read more of this story at Slashdot.
"Yesterday morning I woke to a soft rain in a Maine barn. And by tonight, I'll be all the way to Oregon. Presently, I plan to take two deep breaths." So goes the unconventional newsletter of folk singer Amy Annelle, who spent the greater part of last month navigating Portland and playing shows like a Woody Guthrie tribute at the Mission Theater, the Portland Folk Festival and the Holocene Festival. But Austin's prodigal daughter has returned, announcing that she and select guests will christen Ruta Maya's new back bar with performances every Wednesday.
Ruta Maya's an odd duck - it boasts swell acoustics, but on any given night of the week you're more likely to witness Tai Chi with Guy Forsyth or open-mic night than an honest-to-god traveling rock show. The opening of a folk-friendly back bar, however, bodes well. This evening Annelle's guest is Nick Hennies of Weird Weeds, who will accompany her "with improvised percussion." Annelle's latest album is called The Cimarron Banks and was released earlier this summer.
Amy Annelle: [official]
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