At 12:30 pm on Monday, I'll be hosting "Freelance Isn't Free: The Twisted Economics of Writing Today". It's part of SXSW's Core Conversations series, which means that rather than a panel discussion backed by PowerPoint slides, it's a moderated discussion. I'll be there to ask questions and and delve into interesting points as they come up, but beyond that, it's a wide-open format.
We're going to be talking about a disturbing trend: The amount of money that companies are willing to pay for a writer's work has been in freefall. How did that happen, and what can we do about it?
The next day (12:30 pm, Tuesday), Carly Kocurek will be part of a panel titled, "Power-Ups & Press: How the Game Media Impacts the Gaming Industry". Organized by Karen Chu of PlayFirst, a group of gaming press forerunners will talk about how media advancements have shaped the way we talk about video games.
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To have your event included in our party guide, please send the info by Noon CST today to sxswist@austinist.com.
[Austinist SXSWist]
[Austinist SXSWist Party Guide]
The latest chapter in this story comes from Bon Appetit's Foodist and "Iron Chef America" judge Andrew Knowlton, who named Round Rock Donuts one of "10 Best Places for Doughnuts Across the Country" in an article last week. For the record, Knowlton's limited comments lauded the bakery's low prices and cake-style consistency, and name checked the applesauce, chocolate, and blueberry as flavor favorites.
If you'd like to get your donut fix, the original location at 106 West Liberty in Round Rock opens seven days a week at 4am. They are also available at select convenience stores and coffee shops around town.
Magic Chairs seems to be the most straightforward rock/pop album the band have ever done. Was this a natural evolution, or did you want to change to something a bit different sonically?
To us this was more like an experiment, just like every album is. We wanted to make a simpler album, focusing on fewer elements and most of all being capable of playing the songs together as a band before entering the studio. This was something we'd tried to avoid for a long time, and therefore it was a fun challenge.
We're hearing there have been some lineup shuffles due to an injury - tell us more, and how are things going so far?
Our good friends Balmorhea were supposed to support us on this tour, but unfortunately they had to cancel due to a family emergency and then same day Peter Broderick (our violinist) also canceled due to a knee that won't heal from surgery. This all happened a few days before our tour started, so we had to quickly come up with rearrangements so we could perform as a six-piece. We have been doing so for the last seven concerts and it works fine, but we do miss Peter.
The usage of strings in indie rock has been popular lately, but with Efterklang, doing so seems like it has always been at the core of what you write and play. What do you see as the purpose of strings in your compositions?
We for sure like working with strings. You can use them in many ways, and they have a huge range of techniques. Generally speaking, we like the ambiance that strings can create. They also fit the rest of the sounds that we're using quite nicely. Also, they're quite good at combining the acoustic and electronic elements that we like to use.
How did you connect with Grizzly Bear to release their music on your label?
They asked us to remix a song for them, and we said yes - if we could release their debut album in Europe. That's basically it. Then they came over and supported us on a Scandinavian tour, and we became good friends. They were the first band we signed to our record label and it was a great start.
Finally, thanks for coming to visit us in Texas - anything you're excited to do or see while in town next week?
We are excited about the Margaritas, and I think the Danish Day Party will be a lot of fun. Basically we just hope to be able to play some good shows for good people. We like Austin - we played at The Mohawk outdoors in May 2008 on our first American tour, and it was just magical despite an incredible stink from some fish restaurant garbage.
Efterklang will perform at the 4AD/Bella Union showcase at Buffalo Billards on Thursday, March 18th and at the Danish Dynamite party at The Music Gym on Friday, March 19th.
Efterklang: [official] [MySpace]
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Directed by Miranda Bailey (who served as executive producer of Noah Baumbach’s The Squid and The Whale), Greenlit appears in the Documentary Feature category at this year’s SXSW film festival. Bailey decided to take on the project out of curiosity and due to her own environmental consciousness, and what results are a few surprises, a few frustrations, and a contentious battle between water bottle users and those who malign them.
The film being observed, The River Why, stars William Hurt and Zach Gilford (Friday Night Lights), and even though it’s not exactly a big-budget affair, it paints a clear picture about the environmental damages caused by filmmaking as well as the financial costs required to behave more responsibly.
This behind the scenes look at the movie industry is sure to be an eye-opening experience for the film-loving community. Many of us buy organic, recycle and avoid unnecessary driving, yet have no problem shelling out cash to see the latest multiplex offerings - thereby supporting one of the most wasteful industries around. And think about it, if even indie flicks create a huge amount of waste, what about the blockbusters? There’s some hypocrisy there that shouldn’t be ignored, and Greenlit is here to educate (and hopefully inspire some change).
Greenlit premieres on Saturday, March 13 at 4:45 at the Alamo Drafthouse on South Lamar. If you miss this showing, it plays again on Friday, March 19 at the same theater. Check out the full SXSW film schedule here.
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